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Siddur Avodat HaLev (Hebrew and English Edition)

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Product details

Hardcover: 1346 pages

Publisher: Koren Publishers Jerusalem; Bilingual edition (October 29, 2018)

Language: Hebrew, English

ISBN-10: 9653019368

ISBN-13: 978-9653019362

Product Dimensions:

5.5 x 2 x 8.5 inches

Shipping Weight: 2.3 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#372,021 in Books (See Top 100 in Books)

This new 1452-page siddur, which includes 106 additional pages of essays, edited in chief by Rabbi Basil Herring, shows why it is beneficial to have more than one version of the siddur. This new version, with weekday, shabbat, yom tov prayers, and a host of additional sections, offers much that is not in many prior siddurs.One of its many focuses is on halakhic practices and minhagim, respected customary practices, that are not inserted in the back of the siddur but in boxes where the prayers appear.The siddur explanations are illuminated by a multitude of Jewish sources as well as recent scholarly research, anecdotes, physics, biology, psychology and literary classics because Maimonides taught “take the truth from whoever says it.”The siddur shows sensitivity to women’s participation in the prayer service in many ways, including changing male-oriented language to inclusive wording, such as using “one” rather than “he,” “esteemed companions” in place of “rabbotai,” “head of the house” instead of “master of the house.” It also addresses zimmum for three women when there is less than three men present, explains exemptions for women, has an extended commentary on eishet chayil, “the woman of valor,” and more than a dozen similar much-needed commentaries.Eishet chayil is a good example of the siddur’s many explanatory inclusions. The siddur gives a half dozen explanations of it from different sources, worldviews. and periods of time. Several ancient midrashim offer ideas such as: it refers to a virtuous wife, the book of the Torah, and a woman like Beruria, whose story the siddur tells; the sage Meiri of the fourteenth century suggests that it is extolling the allegorical foreign women mentioned earlier in Proverbs where these 22 verses appear; kabbala claims it is speaking about the feminine aspect of God; and there is the view of a modern commentator who wrote that Solomon is referring to his ancestor Ruth who is called an eishet chayil in the book of Ruth.The translation is new, avoids archaic terms and uses clear modern English and modern English syntax rather than copying the order of the Hebrew words, which is appropriate for Hebrew but not for English.The siddur contains supplementary prayers such as those relating to the holocaust, the State of Israel, and personal events such as thanksgiving and dedication of a home. There are forty pages of blessings for special occasion. The entire book of Psalms in includes rather than only selections, and there is a modern English translation of all the psalms. The complete books of Shir Hashirim, Rut, Eikha, Kohelet, and Esther, are included, although these five Megillot are not translated. The weekly Torah readings, tashlikh, kapparot viduy, marriage ceremony, pidyon haben, grace after meals in a shiva house, yizkor, and much more are also in this siddur.There are also 106 pages of easy to read eighteen essays that explain much about Judaism, prayer, history, philosophy, kabbala, hassidism, Zionism, such as the historical and halakhic background of prayer, Rabbi J. B. Soloveitchik’s explanation of the shabbat prayers, the thirteen principles of Judaism, sacrifices, and more.Some explanation may surprise readers, such as the kapparot practice, seeking atonement for misdeeds, not being attested until Geonic literature in the middle ages and “it was likely practiced on behalf of children, who are unable to express remorse and achieve atonement through conventional means. The practice is of the same nature as the symbolic foods on Rosh Hashana.” In short, it is not magical, but designed to make us think, act, and improve.All in all, this new siddur is not only a prayer book; it is a collection of all essential prayers together with prayers that people would like to say, with readings from the Tenakh, the Hebrew Bible, with a wealth of explanations and other need to know and worth-while knowing material.

The brand new Siddur Avodat Halev is a fabulous new commentary on the traditional siddur, but unlike most commentaries you have read, the writers of this project have incorporated many significant and thought-provoking articles on the theology and praxis of Jewish prayer.Each page of the siddur contains short pithy remarks that remind me of the old Phillip Birnbaum Siddur and the Artscroll Siddur. The commentary features a brief digest of many of the halakhic perspectives and customs that govern Jewish prayer. It is not verbose, but actually quite succinct. While many commentaries intimidate the reader, the Siddur Avodat Halev’s does not.Under Rabbi Basil Herring’s fine leadership, the siddur also traces many of the prayers to their scriptural origins—something many prayers after the Birnbaum Siddur neglected to do. In fact, I was curious to see how they explained the blessing, “Who forms light and creates darkness, Who makes peace and creates all things” (p. 90), and sure enough the same explanation Birnbaum gave in his siddur notes appears in the Siddur Avodat Halev. Giving credit to the Birnbaum Siddur would have been nice, but the explanation he gives is satisfying to a reader like myself who enjoys studying the history of what inspired the ancient prayers.Women’s participation in traditional prayer is always a hot-button subject. To the siddur’s credit, it tries to be more inclusive than other Orthodox siddurim of the past. For example, instead of using the traditional male-oriented language which invariably uses the male pronoun “he,” the siddur uses the more gender-inclusive pronoun, “one.” Or, in the Grace After Meals, it also uses “With your permission, (my father and teacher,”/ “ my mother and my teacher” in the opening words of the Grace.This is very appropriate, and it reminded me of the Scriptural passage, ‎ שְׁמַע ×‘Ö°Ö¼× Ö´×™ מוּסַר אָבִיךָ וְאַל־תִּטֹּשׁ תּוֹרַת אִמֶּךָ “Listen, my child, to your father’s instruction, do not reject the Torah (lit. instruction) of your mother” (Prov. 1:8), for our mothers do teach us Torah by their values and lessons we learn from the age of infancy onward. This verse would have made a terrific footnote for the siddur, and I would encourage adding this concept in a future edition.The siddur also contains additional prayers such as those relating to the Holocaust, the State of Israel, and personal events such as thanksgiving and dedication of a home. In the original Artscroll Siddur, references to the Shoah and the State of Israel do not appear until Artscroll later partnered with the RCA in producing a more updated siddur.In the Mi’Sheberech prayer that is said after one is called up to the Torah, the Siddur included the mentioning of the Matriarchs—this is the second Modern Orthodox Siddur I have seen in which the authors include this. The other siddur is the Nahalel Siddur. These changes represent a dramatic mind-shift in the Modern Orthodox community.The old albatross of a prayer blessing God, “for not making me a woman” is still included; the same old tired apologetic exposition is used. I think this Siddur should have included the 15th-century Italian version of the prayer, “Blessed are You… .Who did not make me a man.” Not only would this have been a provocative change, but it would also stress that we ought to thank God for making us who we are. Better still, it would have really been terrific to say these blessings in the positive. Instead of defining ourselves by what we are NOT, we should take a positive approach and thank God for making us who we ARE. Thus, a man should say, “Blessed are You . . . for making me a man,” or “Blessed are You . . . for making me a woman,” and lastly, “Blessed are You for making me an Israelite.” This version completely sidesteps the usual awkward problems associated with these particular prayers.While Siddur Avodat Halev has made great strides, sometimes it still operates within the confines of a medieval Procrustean bed, named after Procrustes, the bandit from Greek mythology who stretched or amputated the limbs of travelers to make them conform to the length of his bed. Rabbis need greater freedom to improve upon Jewish tradition and I pray that someday the Modern Orthodox movement will seriously change their overall thinking on this sensitive matter. No amount of apologetic explanations can justify the animus of a prayer that has offended Jewish women for many centuries.Another piece of anachronistic history in the siddur is the section pertaining to the Kapporet prayer. Frankly, the old practice of Orthodox Jews swinging a frightened chicken over their heads on the eve of Yom Kippur seems antithetical in every way to the modern facelift the Siddur Avodat Halev wishes to make. And while the commentary points out its shortcomings, I think no explanation can sanitize the inappropriateness of this prayer—especially since the practice of the Kapporet more often than not violates the biblical prohibition of causing animals needless pain (tsar ba’alei chayim).The authors should have included the Tefilah Zakah instead. It is a much more powerful prayer that captures the beauty of the High Holidays and its emphasis on forgiveness. This prayer actually appears in the siddur on pages 338-339. In Jewish liturgical history, the Tefilah Zakah is a part of the Yom Kippur liturgy, and in this prayer, a people enumerate and connect their various sins with various acts and ask for forgiveness. More significantly, people forgive any who have caused them pain or harmed them. R. Avraham Danzig (1748-1820) popularized this prayer in his famous Halakhic digest, Hayye Adam. It is definitely a better alternative to the Kapporet ritual.Perhaps the most critical part of the Siddur Avodat Halev pertains to the attempt of its writers to explain the theology of Jewish prayer with a particular focus on the nature of Kavanah, or “intentionality.” And while the siddur does a fine job in examining the nature of Kavanah, it sheepishly avoids dealing with most perplexing questions of our age: What is the nature of a personal relationship with God? Is God “responsive” to our prayers? Does prayer truly have or evoke healing power? Nothing challenges the theological beliefs of a Jew—regardless of our denomination—more than prayer. Prayer calls into question all of our most fundamental beliefs in a “personal” God and this area poses tough questions for Modern Orthodox intellectuals and theologians alike, as well as their Conservative and Reform colleagues.

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Download PDF Teta, Mother, and Me: Three Generations of Arab Women, by Jean Said Makdisi

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Review

..." lovingly describes the locations, cultures, conflicts and social influences as they pertain to generations of women in this very impressive Arab family ...highly informative, insightful and thought-provoking - a window into other worlds." --Bernadine Evaristo

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About the Author

Jean Said Makdisi was born in Jerusalem and studied in Cairo and the United States. She is the author of Beirut Fragments: A War Memoir, a New York Times Notable Book. She lives in Beirut.

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Product details

Paperback: 416 pages

Publisher: W. W. Norton & Company (June 17, 2007)

Language: English

ISBN-10: 9780393329650

ISBN-13: 978-0393329650

ASIN: 0393329658

Product Dimensions:

5.5 x 1.1 x 8.3 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#1,475,176 in Books (See Top 100 in Books)

The impetus for this lively, emotionally engaging exploration of three generations in Makdisi's maternal line came from her conflicted feelings about feminism and the traditional domestic-centered woman's role as well as the friction between the two cultural influences in her life - East and West.Her father was an affluent Christian Palestinian who immigrated to the US and became an American citizen. He returned to Jerusalem to honor his mother's dying wish, "but never really forgave her for deflecting him from what he had seen as his destiny in the New World." Her mother was Lebanese and Palestinian, the daughter of a strict Baptist minister and his European-mission educated wife (Teta) who was, in turn, daughter of an Evangelical pastor.Makdisi and her siblings (which include the late Edward Said, professor, writer and pro-Palestinian activist, and the historian and writer Rosemarie Said Zahlan, who was also a pro-Palestinian activist) grew up with American passports, though she was born in Jerusalem in 1940 and grew up in Cairo."Until 1948, and the Palestine war, our family moved regularly between Jerusalem and Cairo. For Palestinians, the year 1948 was a time of movement, of scattering, of families breaking up and moving apart. It was a time of breakdown, of entropy." Though a child and sheltered somewhat from outside events, she recalls the upheaval in their Cairo home as a stream of relations - distraught refugees - moved through."In 1948 the heart of our family was torn out, and the centre of our existence was broken....It is only recently that I have come to understand how deeply affected we have all been by the Palestinian experience, how we have lived our lives in its shadow. Most of all, though we have lived well and done well and accomplished much, though we have made many deep friendships throughout the world, since 1948 we have been outsiders - not only my parents, but their children, and, I fear, their children's children as well."Makdisi does not dwell on "the Palestinian experience" in this book, which is as much biography and history as it is memoir, but its long shadow is always visible.As she moves backwards and forwards in time, she describes an arc - a move towards an ideal of "modernity," synonymous with westernization, that carried her grandmother and mother farther from the extended family that gave women support and strength into an isolated role in the nuclear family.This movement began with the values her grandmother absorbed in the mission schools and culminated in her own marooned existence in an affluent Washington DC suburb, frustrated, bored and conflicted between her role as perfect mother and housewife and her ambitions to be something in the world.A century-long embrace of Western culture is clearly to blame in her mind, though Makdisi certainly does not advocate a repudiation of all things Western. Instead she concludes her book with a call for a new synthesis of priorities, which combines the "sustenance" of home and family with a connection to the outside world. Well, sure. In the best of all worlds, anyway.Makdisi grew up thinking her grandmother led a sheltered, isolated, domestic existence, comfortable but limited. But as she researches this book - getting her own mother and uncles to write memoirs and delving into the history of the time, a more rounded and nuanced picture emerges of a woman who endured war and tragedy, love and loss, who worked to build her husband's congregation and who, during WWI and again after her husband's death, struggled alone to keep her family together with little financial support.Makdisi's mother, Hilda, continued the move away from Arab customs, filling her house with European furniture, dressing in the latest Western fashions, adopting Western tableware and eating habits. No one seemed to regard any of this as a rejection of Arab culture at the time - it seemed more a matter of fashion and sophistication.Only in retrospect does Makdisi see how it isolated her mother and grandmother from other women and robbed them of matriarchal status later in life. Yet her grandmother was miserable living with her mother-in-law and the matriarchal status seemed to work best when the financial power rested with the matriarchal generation.Makdisi makes a number of generalizations that readers may quibble with. While I don't know the joy and comfort of the extended family (and it certainly does not appeal) I do know you cannot extrapolate middle class American life from the homogenous confines of an affluent D.C. subdivision. Miserable in her isolation there as a newlywed (as I too would be) I wondered why she didn't move into town, which they could easily have afforded. The book touches on a century of culture and upheaval - the European occupation and recarving of boundaries after the defeat of the Ottoman Empire, various ensuing rebellions, the rise of Zionism in a land where Jews had always lived and the belated reaction of alarm, the bitter legacy of exile and rootlessness following the 1948 war.She does not explore any of these events in a deep political way but rather notes how each specifically affected her family. Perhaps this is why she does not touch on certain issues, such as the practicality of co-existing Israeli and Palestinian states and the repeated Palestinian rejection of partition.This is a book filled with rich history, cultural detail and colorful anecdotes, all of which help illuminate a place and people that seem to grow more remote and frightening with every passing day. Makdisi is a fluent and visual writer, with a foot in two cultures and her book should be read by anyone with an interest in the Arab world.--Portsmouth Herald

Makdisi's memoir carefully collects fine details of the Arab Christian history in Syria, Lebanon, Palestine and Egypt. In tracing her mother and grandmother's and her own personal story and the families that surrounded them, Makdisi takes the reader on a journey that shows the meaningfulness of geographical origin in the arab culture as well as the inherent ability to change, transform and relocate.This memoir presents an opportunity to encounter in a very human way the event of the partition of Palestine and its effects on families' lives. It is broad in scope touching on everything from questions of class, the situation of women, colonialism, raising a family in a time of war, social movements and the upheaval of governments, being stateless, suffering loss...This book is recommended to the patient reader who is serious about garnering a deeper understanding of this area of the world or the related subject matter in women's studies.It is worth noting that Makdisi is the sister of Edward Said. I didn't realize this myself until many many pages into the book.

I grew up in Cairo and now living in the US. I loved this book so much and relate to every word of it. I would defintely recommend it to my son to read in the future as it is a beautiful mix of sociology, history and psycology.

The social history and politics of Arab women illustrated by the author's love for her mother and grandmother.

The wife of Edward Said grew up, like her brother, among the richest of the Arab elite, the Bourguise that had come up with the Arab Awakening following the Arab revolt in 1917. This was a class of wealthy, European educated, mostly Arab Christians who became not only nationalists but highly knowledgable about the world. Because of their connections and the fact that they were inter-related with Arabs across the middle east they were very worldy.The Said family were two generatiosn removed from Baptist Arab converts in Lebanon who had immigrated to Palestine and then on to Egypt. They had summer homes both in Jerusalem and Lebanon. Theirs was a life of luxory and western ways, western dress, western values and eventually western self hate.THis memoir covers the period 1940-2000. We are given insights into life after the flight from Palestine in 1948, life in Beirut during the war and insights into the arab world. Despite being a 'housewife' Mrs. Said is not really immigrating to Lebanon when she marries a Lebanese instead she is merely returning to her homeland. This is where the memoir is problematic. It covers up the very unique status of the Said family trying instead to put them in a larger arab morass which they do not exist in. There is little difference in the upbringing, wealth and outlook of the Saids and their western counterparts in the richest sections of London or New York. This is not an account of Arab women because 99.99% of Arab women do not live like this jetting between capitals and conversing in multiple languages.Despite attempts at portraying her family as refugees one has only to compare the memoir with the truth of the many homes of the family to see a more complete picture. If this memoir is interesting it is interesting because the female protaganist did nothing for women's rights and gives us a journalistic account of life in the Arab world, a biased account of course covring up PLO atrocities, during the period.Seth J. Frantzman

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Product details

Paperback: 108 pages

Publisher: Modern Kid Press (March 7, 2018)

Language: English

ISBN-10: 194820911X

ISBN-13: 978-1948209113

Product Dimensions:

8.5 x 0.2 x 11 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

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Product details

File Size: 4964 KB

Print Length: 854 pages

Simultaneous Device Usage: Unlimited

Publication Date: March 15, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07PNW2P1X

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Amazon Best Sellers Rank:

#2,004 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Free Download Design Of Inquiring Systems, by C. West Churchman

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Design Of Inquiring Systems, by C. West Churchman

Free Download Design Of Inquiring Systems, by C. West Churchman

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Product details

Hardcover: 288 pages

Publisher: Basic Books; First Edition edition (February 1, 1972)

Language: English

ISBN-10: 0465016081

ISBN-13: 978-0465016082

Package Dimensions:

9.3 x 6 x 1.5 inches

Shipping Weight: 1.4 pounds

Average Customer Review:

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Amazon Best Sellers Rank:

#1,283,011 in Books (See Top 100 in Books)

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Ebook When You're Feeling Sick, by Coy Bowles

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When You're Feeling Sick, by Coy Bowles

Ebook When You're Feeling Sick, by Coy Bowles

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About the Author

COY BOWLES plays guitar and organ and writes songs for the multiplatinum Zac Brown Band. They have won three Grammys and since 2009 have earned 55 award nominations from the Grammys, Academy of Country Music, American Music Awards, Country Music Association, and Country Music Television. Born in Thomaston, Georgia, Coy was raised on love, support, and the idea that he could do anything he put his heart and soul into. After earning a degree from Georgia State University’s Jazz Studies program, Coy formed the band Coy Bowles and the Fellowship. In 2006, they opened for the Zac Brown Band, and soon after Zac asked Coy to join his band full time. Coy’s children's books include When You're Feeling Sick and Amy Giggles: Laugh Out Loud. Visit Coy at coybowles.com.   ANDY ELKERTON is the illustrator of When You're Feeling Sick by Coy Bowles and the New York Times bestseller How to Catch a Leprechaun. He began his career as a graphic designer for video games, when the industry was still in its infancy, and after fourteen years decided to try his hand at being a children’s book illustrator. Since 2002 he has produced work for picture books, advertising, and toy design. He lives in a small town on the west coast of Scotland with his wife and three children.

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Product details

Age Range: 3 - 7 years

Grade Level: Preschool - 2

Lexile Measure: AD510L (What's this?)

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Hardcover: 32 pages

Publisher: Doubleday Books for Young Readers (January 10, 2017)

Language: English

ISBN-10: 0399552863

ISBN-13: 978-0399552861

Product Dimensions:

9.2 x 0.3 x 9.2 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

24 customer reviews

Amazon Best Sellers Rank:

#488,112 in Books (See Top 100 in Books)

I REALLY LIKE THIS BOOK BECAUSE I HAVE BEEN SICK THE LAST FEW TIMES AND I HAD TO STAY IN BED WHILE WEARING MY PAJAMAS AND GETTING PLENTY OF REST AND DRINKING PLENTY OF LIQUIDS

Who can't love a book written by a man that sets an excellent example for our world today! LOVE LOVE LOVE WHAT this man is allAbout!! What an amazing message he sends.

Not only is my daughter a huge ZBB fan along with the rest of us (her first concert was in Jackson Hole last spring), she loves Coy's books. She got this one for her birthday and was, ironically, fighting a cold.

My grandson loved it!! great buy!

Coy Bowles is the best. My kids love his books......and watch him play the guitar!

Perfect gift for a friends son home sick for the first time....

Love Coy, love his books, his musicianship, and his presentation! I have sent this book to all my grandkids, they enjoy it very much!

Great book by a fantastic person! Perfect for helping lift the young ones' spirits when they're under the weather! Every parent should have a copy!

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Ebook Getting Started with Paint.NET, by Shoban Kumar

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Getting Started with Paint.NET, by Shoban Kumar

Ebook Getting Started with Paint.NET, by Shoban Kumar

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About the Author

Andros T. Sturgeon Andros T. Sturgeon is an average-sized human. His business card says that he is a futurist. He lives in Southern California, developing interactive experiences and original content for the Web. He is the founder of a transmedia agency named Starchild Interactive. You can find out more about him via Google by searching for Andros Sturgeon or Starchild Interactive or by visiting www.starchild.us. This is his first book.

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Product details

Paperback: 136 pages

Publisher: Packt Publishing (December 26, 2013)

Language: English

ISBN-10: 1783551437

ISBN-13: 978-1783551439

Product Dimensions:

7.5 x 0.3 x 9.2 inches

Shipping Weight: 11.4 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#1,472,600 in Books (See Top 100 in Books)

At this price, one could ask for much more. As several reviewers have commented this is a short book with no color images. In fairness there is a link to a PDF file with examples in color, but for almost $30 dollars couldn't we have had these in the manual itself? I could not recommend this book to anyone, however:Pros:-Well laid out and easy to understand-Since Paint is free ware there are not many alternatives other than YouTube.Cons:- No color illustrations-subjects are covered in a very cursory fashion-Pricey

I don't know where to begin. You can learn more by reading the online help, the forum, and by using Google. The book uses a large type and has large pictures, so, at only 109 pages of actual content, this book could have been a booklet using a normal font. The pictures are B/W, if you can believe it, and yet the text directs the reader to see the "color" pictures. All of the feature descriptions are only one or two paragraphs in length. There's more, but I don't want to bore you.I can sum up this book in one word - worthless!

This is a very good book for people who only use this free program occasionally in that it is a good reminder of how the program works, especially for older users. There are also color examples available on the Internet.

Good book easy to understand the author.

Very helpful

In the past I've used Adobe Photoshop for my own personal use, as well as at work for relatively simple work. However, after losing my discount a number of years ago, I've kept my eye open for good alternatives, especially for those that were asking for my recommendation on software.I've always found Gimp to be a usability nightmare, so when Paint.NET started gaing traction a few years ago I was interested, but it was still fairly rough. But when I was asked by Packt Publishing if I'd be interested in reviewing their first book covering Paint.NET, I saw an opportunity to look at the software once again.While reading the first couple chapters (there are eight total, spread over 115 pages) I was reading it as someone who had previously read books on using Photoshop and had a number of years experiencing actually using the software, so I was disappointed how much I already knew. However, once I put my mindset into someone who had never used software like this before, I found myself enjoying the book much more.It's for the average individual, who just wants to do some basic editing of their photos (like my mother), that this book really shines. This relatively small book does a fairly good job of covering the functions a user needs to get started with Paint.NET. While I haven't tried yet, I feel fairly confident that giving this book to someone who has very little experience would have enough information at the end of the book to resize their photos and perform some basic editing (given Paint.NET's currently limited tools) on their own.I also found a healthy amount of humor in this book, and despite being published near the end of last year, the version of Paint.NET covered by this book is still the current version, so there were no issues following along.I think I would have liked to see a few more screenshots, as well as a few more examples (I strongly believe in iteration), but there's already a fair amount of both.As long as you approach this book as a new user of Paint.NET/Photoshop/etcetera, I think you'll find this gets you going quickly, and therefore give Getting Start with Paint.NET a full 5 of 5 stars.

I have been using Paint.Net for about 2 years now. I use it extensively and exclusively for doing web site graphics, album artwork, product design, marketing and promotional materials and many other "real world" applications.I am a huge fan of this product! I use it not only for my personal needs [...], but have handled multiple client jobs doing similar work as well.I just finished reading "Getting Started with Paint.NET", and my first thought was "I wish I had read this book when I first started with Paint.Net"!This book is a great introduction to Paint.Net and it's many facets and abilities. I found the descriptions to be quite detailed and the topics to be well covered.An average user, starting with no background in photo editing, can be editing and manipulating photos in no time.If your looking for a book to get you started in using Paint.Net for photo editing, this IS the book for you!

I started using Paint.Net several years ago when I was searching for a free program to teach at a Seniors Club, initially I thought it was a basic program with limitations but I soon discovered it was a lot more than that. Because I had experience with other graphic programs I pretty much worked it out as I went along so something like this would have been of great benefit ,like the last reviewer I found I knew most of it but there were still things I found of interest and they were explained very clearly in a way that beginners would understand .I thought all the chapters covered things very well and even people who had never used a graphics program before would have been able to follow it and get started .I have found that most beginners find it hard to grasp the concept of selections and layers this book explains both very well and once that is clear it is all much easier , I think most of the questions a beginner would have are covered and the index is very helpful for finding something quickly.For giving a beginner an easy to understand starting point I give it 5 stars .

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