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Download Ebook , by Dennis DeSantis
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, by Dennis DeSantis
Download Ebook , by Dennis DeSantis
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Product details
File Size: 6904 KB
Print Length: 250 pages
Simultaneous Device Usage: Unlimited
Publisher: Ableton AG (April 21, 2015)
Publication Date: April 21, 2015
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00WHXYZG8
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Amazon Best Sellers Rank:
#25,601 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I'm going to find the time to come back and give this a proper review, but in the meantime, 5 stars.This book is everything I thought and hoped it would be from the previews at the Ableton site... and more, much more. Never before have those vague "unanswerables" about creativity been so well answered, at least as it pertains to electronic music production. This book is definitely focused on electronic production (not EDM genres in specific) - the composition side, the neglected one. Anyone who struggles with writing music in general, electronic or not, will benefit - but parts are definitely specific to music made by computers.I'm already demonstrably better as a composer and have an easier time getting started after reading through one time, and I expect I will be re-reading and referencing back to this book over and over for a long time to come.If you've got any doubts, read the preview chapters on the official makingmusic.ableton site - though many of the best are reserved for the book itself.Proper review forthcoming.Note: This is NOT specific to Ableton users in any way - no matter your DAW, this will not exclude you. I use Maschine and found zero conflicts in that regard. Ableton is used for screenshots of the sequencer patterns, nothing more.
This is the book I was always looking for but couldnt find. Its written like Q&A between "student" and "teacher". The student asks common and not so common questions and the teacher uses a page or two to explains how its normal to deal with this issue and his own very effective solution! It starts out with some advice that I already solved in almost identical ways to what the author suggested. But I would be thankfull if i had this book earlier. As you start reading this book you get to advice that you would expect from the likes of Eno, that could work for both new and advanced musicians.Oh yeah it also doesnt mention ableton live by name ever. Thats very cool since i use logic.
Do you want to dig up some more creative ideas? Sure, we all do.This book is the coach needed by those of us who've been making music for decades and are looking to jump out of those familiar and boring habits, and those who are just getting started with a DAW and wanting to corrall and harness the limitless possibilities of modern music making.I've only been through it once, but it's already full of highlights, and I foresee my Kindle residing in my studio for some time to come.For what it is, it's amazingly inexpensive. I have cables that cost more.
As a new student to music in general and synthesizer music I really enjoyed this book and recommended: It does a lot to give you ways to get "unstuck and start" creativity. I got it as a Kindle Edition on Amazon and listen to it over my Alexa device that read it at night. I will go through it as the book next. It was recommended to me byBoBeats on YouTube. Note it is only available as a Kindle edition on Amazon in the US. Thanks for all you do!
I picked up this book having high expectations since I have digested a large amount of music production books, magazines and video tutorials. This book does a great job at addressing common roadblocks that I have encountered.Even though the author works for ableton, this book still does a fantastic job approaching the subject of digital music production while being software agnostic.With so many options for sound design and music composition in the digital realm, this book has been a breath of fresh air.I expect to read this book a few times over for inspiration and strategies when approaching music production. I feel that the subject matter will last the rest of time and will still be relevant for years to come.
I've been making music for a long time & making music with computers since 1998. I wish I had access to this book in 1998. I'm going to be going back to this well again & again. Highly recommended. Also, even though the author works for Ableton, it's really in no way is a how-to for Abelton, it's much more DAW agnostic & really about the unique challenges making music with computers bring.
It does address myriad "speedbumps" that all musicians encounter on our creative journeys and while it's light in detail of any one of the 74 solutions in the book, that is what makes it universally appealing. Several solutions were new to me and I then easily found all the specifics online. Well worth the read.
Essential reading for any musician, not just electronic ones. This book is an easy read. I don't work in a DAW, which gets a fair bit of attention here, but I still found it to be full of suggestions that pushed my creative boundaries and let me look differently at the process of making music.
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