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Little Black Book, by Otegha Uwagba

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‘A must-read for anyone looking to be as prolific as Uwagba herself’ Sunday Times‘Otegha Uwagba is one of London's new generation of female CEOs’ Evening Standard‘Otegha Uwagba has the answer to all your creative career challenges…this book is a must-read guide for all creative women looking to navigate the world of work’ Elle‘Avoids all the clichés of the “self-help” genre’ Dazed‘Such a useful little book packed with knowledge, I definitely could have done with reading this when I went freelance back in 2014’ Reni Eddo-Lodge, author of Why I’m No Longer Talking to White People About Race‘There’s no fluff in here, it’s all solid gold – recommend 100%’ Emma Gannon, author of book and podcast CTRL-ALT-DELETE‘All you lot should get your hands on this. Currently on my way to do a speech and shitting myself, but Chapter 4 on public speaking is allowing me to breathe’ Charlie Cuff, gal-dem / Dazed‘If, like me, you love talking and thinking about your career – and hope to constantly evolve it – this one is for you’ Natasha Lunn, Red Magazine‘Buy this BRILLIANT book (especially if you’re a woman in the creative industries, but basically buy it if you’re anyone)’ Elizabeth Day, journalist and author of The Party‘A hugely helpful read for working women in creative industries’ Yomi Adegoke, co-author of Slay in Your Lane‘Inspiring, insightful, ambitious’ Porter Magazine‘The book you’ve seen all over Instagram’ NASTY GAL‘A travel-sized pocket book full of professional gems and expert advice’ Fader‘Robust, sensible and calm advice… this is a useful and digestible guide to developing the creative career that will most suit you’ A Little Bird‘Should be handed to every graduate instead of that piece of paper which, in many cases, amounts to sweet FA’ Grace Woodward, Fashion & TV commentator

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Product details

Paperback: 128 pages

Publisher: Fourth Estate; First Edition edition (June 15, 2017)

Language: English

ISBN-10: 9780008245115

ISBN-13: 978-0008245115

ASIN: 0008245118

Product Dimensions:

4.3 x 0.5 x 6.4 inches

Shipping Weight: 3.5 ounces (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#36,487 in Books (See Top 100 in Books)

Exactly what it says it is. Such a useful toolkit for creative working women! Everything from productivity to networking to taxes! Will definitely have this on me at all times for a quick boost now and again!

Very obvious workplace advice that is hardly more than a long form women’s magazine article.

I did not expect to gain as much knowledge form such a tiny little book, but I ever more glad I picked up the book. Fantastic and worth every penny.

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File Size: 1021 KB

Print Length: 47 pages

Simultaneous Device Usage: Unlimited

Publication Date: March 27, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00VC6ASJO

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First, the book is in serious need of an editor. You must be prepared to get past this or you may not finish the book. Secondly, the book focuses on assisting the non-specialist with information to ask better questions on security issues and to provide some recommendations on security services without being an advertorial. Lastly, the book is a quick read.On the plus side, the book considers security for all types of devices, computers, tablets, smartphones, etc. There are suggestions for personal acts to improve one's defenses to hacking - stronger passwords, treading warily in certain websites, and reading the terms and conditions before accepting software downloads (something I almost never do). At one time the author recommends looking at reviews in PC World for hardware and software. The author emphasizes that one must take action to protect oneself from adverse consequences while on the Internet. This reminder is always useful. On the negative side, the information becomes repetitive.If you are not familiar with the subject of cyber security, the book will probably be a useful introduction to the topic. If you are familiar, it probably won't add much to what you already know.

This is a short, yet excellent read on Cyber Security for Mobile devices. In today's world you need these basics or you will be vulnerable to a plethora of attacks on your computer, phone, tablets, et al. There are basic definitions that you "hear" but that few define...such as what really is "Phishing (location 119 on the book). For the briefness of this book (and these days, we don't have the time to read long books), it covers quickly but thoroughly a variety of related issues including who the ISA and the IAAN (Internet Assigned Number Authority). Solid read and for the price it's a steal.

This books attempts to make people aware of security concerns they probably don’t consider about when using their modern gadgets. There are tips specific to protecting your smartphone, laptop, tablet, etc. with the goal of maintaining their confidentiality and integrity. Cyber terrorism and cyber harassment are discussed, as is offensive content. The author also explains the benefits of various cyber-security products and using a cyber-security company.

Frankly, I'm surprised at the overwhelmingly positive reviews. This ebook had so many grammatical and typographic errors it was rather unpleasant reading to say the least. The author seems to be translating from another language. I found the content of the first several chapters simplistic and somewhat repetitious. To be honest, I didn't get much further as I returned the book right away in order to get a refund.

Good coverage of the overall subject. You can learn several key concepts on security and options. Embrace the knowledge now.

Horrible book. No significant content and very poor grammar / quality

This book was very basic. Everything in the book can be found on the internet for free. Read it in 10 minutes. I can't figure out how it got such good reviews.

“Cyber Security Principles” is a well written book that provides the reader with everything they need to know to make their mobile devices secure from cyber threats. If you are concerned about the increase in cyber crime and want to know how to secure your mobile devices, this guidebook will help you achieve it.

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PDF Download Something Wonderful: Rodgers and Hammerstein's Broadway Revolution

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Audible Audiobook

Listening Length: 10 hours and 53 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Blackstone Audio, Inc.

Audible.com Release Date: April 3, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B078SZGLGQ

Amazon Best Sellers Rank:

"You ask too much of people who have been successful, and they are human too," Richard Rodgers once remarked. In "Something Wonderful," Todd S. Purdum' s absorbing account of Rodgers and Hammerstein's Broadway revolution, he restores humanity to R and H. He also celebrates their sincerity, the very quality that later made Rodgers And Hammerstein musicals unfashionable to the critical elite. Elliott Norton observed, "When you mention Rodgers and Hammerstein to almost any normal American with a sound heart and good hearing, he thinks at once of songs and scenes and shows which they have written--and which have given him great and abiding pleasure." So it was and so it may always be. The Rodgers and Hammerstein musicals have become such a part of pop culture fabric, they are almost taken for granted. They never should be. Purdum doesn't knock Rodgers and Hammerstein off their musical theatre pedestals. He does not want to. Ethan Mordden effectively did that in his scholarly, heavily illustrated, coffee table book. Purdue's book is much more fair and much more fun to read. And it's because Purdum writes from a human perspective. It turns out, these Masters Of Musical Theatre were mere mortals after all. They were astonishingly talented, creative, driven, ambitious men, complete with flaws and all. It really doesn't matter that they were geniuses of their craft. Without their humanity, their flaws, and their simple, honest sincerity, the public never would have responded to their shows at all. Richard Rodgers and Oscar Hammerstein II met each other long before their partnership, and each began to sew the seeds of their Broadway revolution with other partners. Hammerstein was literally born into the theatre. Rodgers was a musical prodigy from a cold, emotionally distant and abusive home. That coldness became part of Rodgers' nature. Hammerstein wrote Broadway's first really serious musical "Show Boat" with Jerome Kern in 1927. After "Rose Marie", Hammerstein had nothing but flops, spent several unproductive years in Hollywood, and suffered a nervous breakdown due to his turbulent personal life. Rodgers had nothing but hit after hit with his other Big "H" partner Lorenz Hart from the mid 1920's throughout the 1930's. Their 1940 musical "Pal Joey" was more worldly and sophisticated than anything Broadway had seen before. But Hart was a genius who was hell-bent on self-destruction, and he did exactly that. Rodgers couldn't take it anymore and Hammerstein needed a hit. The success of "Oklahoma!" was never predestined or a safe bet. But Purdum brings into sharp focus how Rodgers and Hammerstein came together at exactly the right time and, combining their years of theatrical experience, created "Oklahoma!", a musical that America not only needed by 1943, but also wholeheartedly embraced. Their next musical "Carousel" was even more risky. "Oklahoma!" was essentially about a picnic-party. "Carousel" was about life, death, spousal abuse, poverty, suicide, and a few other things in between. "Carousel", their darkest musical with their richest, most operatic score, remains their most problematic-- but somehow they pulled it off. Purdum celebrates their deserved successes and is fair minded about their Broadway flops ("Allegro", "Me And Juliet" and "Pipe Dream") and their personal flaws and failings. At some point, they stopped being Richard Rodgers, composer, and Oscar Hammerstein II, lyricist and librettist, and became trapped victims of their own success. This is, after all, a story of show business, and R & H became a business-- an entertainment empire, really. R & H were business men. Rather stingy business men who had prickly relationships with talented people in the R & H business. Purdum finally gives orchestrator Robert Russell Bennett, music arranger Trude Rittmann and scenic designer Jo Milzner their long overdue credits. Playwright and director Josh Logan was treated worst of all. Logan wrote the book to the masterpiece "South Pacific" with Hammerstein in bursts of inspired and manic creativity. Logan received co-author and director credit , but was cheated out of royalties. Hammerstein attempted to correct things by asking Logan to direct "The King And I." Wounded by his "South Pacific" experience, Logan refused. But Logan remained, by choice, a close friend in Hammerstein's circle. Hammerstein poured out his frustrations about Rodgers to Logan, and asked him for advice on shows. Hammerstein ignored Logan's advice on how to improve "Allegro", and it flopped. He took Logan's advice on how to make "The King And I" more warm and entertaining, and it was a huge hit. As far as knowing what stories to musicalize and how, Rodgers And Hammerstein were indeed ONE with a great track record of success and a few flops. As men and "friends", they hardly knew each other at all. Interestingly, R & H were both married to women named Dorothy. Both Dorothy R and Dorothy H were interior designers. And they didn't like each other, either. They kept up a cool if distant facade, however. By the mid-1950's, a coolness came into the R & H relationship that lasted until the end. After writing a bubbly and unpretentious score for "Cinderella" for CBS TV in 1957, Rodgers suffered a severe depression (nervous breakdown) and his first battle with cancer. R & H had one more "lucky hit" in them, "Flower Drum Song", which is seldom staged today. Mary Martin, the star of "South Pacific", brought "The Sound Of Music" to R & H. When rehearsals began, Hammerstein was diagnosed with cancer. If cancer had not killed him, critical response to "The Sound Of Music" might have. One critic said the show was too sweet for words and music. Hammerstein died in 1960, and "The Sound Of Music" became R & H's most popular "popular success." After great success and an entertainment empire, it became fashionable to knock the R & H empire and everything in it down. After Hammerstein's death, the critical elite dismissed R & H shows as conventional, pandering, condescending, and worst of all, childish. Purdum ponders how and why R & H fell into critical disfavor. It actually happened a few years before Hammerstein's death, and Purdum says the middlebrow movie versions of "Oklahoma!", "Carousel, and "South Pacific", which muted the innovations in the shows and maximized the schmaltz, do not help at all. "The King And I", with Yul Brynner and Deborah Kerr, is the best R & H movie adaptation, and "The Sound Of Music" starring Julie Andrews is the biggest R & H movie mega-hit. The modest Julie Andrews seems to be at a loss to explain to Purdum why "The Sound Of" Movie remains such a wildly popular success. Purdum feels that the major R & H hit shows are not bad at all, but for many years, productions and the packaging of them, were terrible. Recent productions of "Carousel" and "South Pacific" sparked a major R & H re-evaluation. I am sure readers will agree with Purdum that the R & H revolution was something wonderful indeed, and their shows are still relevant and worthy of serious discussion and artistic appreciation.

Just as Oklahoma! was to war-weary audiences in its day...THIS book is the tonic I needed in a time when the world around me has ceased to make sense. I'm not even into Broadway musicals all that much, and found it enchanting. Now I find myself downloading original cast albums, just to try to relive some of the magic myself. Mr. Purdom did a fine job. Thanks to NPR's "Fresh Air" to alerting me to this release.

I've read extensively about Broadway history since I was in my teens and I'm an "honored citizen" now (aka "old"), so I wondered when I first saw this book whether it would add anything to what I already know. I was ultimately persuaded to buy it by some of the rave reviews I read. I'm glad I did. There were details about the lives of Richard Rodgers and Oscar Hammerstein I had not come across before, plus some real insight into how they worked together and what their work gained from their synergy. For those who loved their shows, you'll never find such detailed stories of the step-by-step creation of the hits and the flops as well. Broadway music has been the soundtrack of my life and it all started with a friend back in grade school who invited me over to hear the Original Cast recording of "Oklahoma." Reading about the creation of that landmark show took me right back to that wonderful moment in my life. It really was the first time I fell in love with a form of art. The affair continues to this day.

I bought this rather expensive book after reading the review in The Economist. Nevertheless I feared I had another of those dry, fact filled books (to show the author worked very hard and knew everything) but no, I was fascinated from beginning to end and am very glad to learn so much about the music and the movies I always enjoyed so much. I never saw one o the musicals because I always lived to far away; now I feel I have seen them all! Highly recommended, which I don't do very often. Thank you Mr. Purdum!

What a wonderful and engaging book. It takes me back too. The first live play I ever saw as a little girl was Oklahoma at the Oriental theater in Chicago. So interesting and easy to read.Judy Myers

Do you remember a time, roughly 1943 to 1963, when the composers Richard Rodgers and Oscar Hammerstein practically owned American musical culture? When I was a small boy, “Cinderella” played on CBS, “The Sound of Music” was headed from Broadway to Hollywood, and songs from shows like “Oklahoma,” “The King and I” and “Carousel” played on the radio and were sung everywhere from schools to taverns and elite performance halls. The record clubs of the era even had a separate membership category called “Broadway Sounds,” “Tin Pan Alley” or something like that.Even if you don’t recall those days, author Todd Purdum takes us there for all of that, and also gives credit to the composers who influenced them ("Larry" Hart and Jerome Kern, among others) and those whom they influenced (particularly "Stevie," later Stephen Sondheim, who was a frequent house guest of the Hammersteins from his childhood on). Well researched and written, admiring but not fawning, SOMETHING WONDERFUL would make a fine present for the budding Broadway fan or performance wannabe. It shows how the "RH Factor" was formed, clicked, and serves almost as a “you-are-there” for each show’s inception, creation, performance and afterlife.If, after reading this biography, the reader's appetite for more Broadway is whetted, here's a good follow-up book: Anything Goes: A History of American Musical Theatre.

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Publisher: Course Technology Ptr (February 1, 2003)

Language: English

ISBN-10: 0619064714

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About the Author

Tsugumi Ohba Born in Tokyo, Tsugumi Ohba is the author of the hit series Death Note, Bakuman and Platinum End.   Takeshi Obata Takeshi Obata was born in 1969 in Niigata, Japan, and first achieved international recognition as the artist of the wildly popular Shonen Jump title Hikaru no Go, which won the 2003 Tezuka Osamu Cultural Prize: Shinsei “New Hope” Award and the 2000 Shogakukan Manga Award. He went on to illustrate the smash hit Death Note as well as the hugely successful manga Bakuman, All You Need Is Kill and Platinum End.

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Product details

Series: Death Note

Paperback: 2400 pages

Publisher: VIZ Media LLC; Box edition (September 5, 2017)

Language: English

ISBN-10: 1421597713

ISBN-13: 978-1421597713

Product Dimensions:

4.6 x 3.1 x 7.1 inches

Shipping Weight: 3.6 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

148 customer reviews

Amazon Best Sellers Rank:

#5,811 in Books (See Top 100 in Books)

This is a purchase I honestly don't regret. A lot of people were skeptical of this because of how many pages the book has, and the poor spine, but let me tell you this: if you honestly want to have a compact, all in one, "I just want to read the story" book, get this. There's many pros and little cons.PROS:1. All-in-one feature (Cost efficient)The main feature about this book is it has all the volumes in one. Compared to the boxset and the black book editions, you are paying for less. The boxset ranges from 50-70 dollars (depending if you buy it used or new), while the black book editions are 10-15 dollars per book (there's six in total.) These are just based on the prices on Amazon. If you wanted to, you could literally take this book on a flight and binge read Death Note.2. Page qualityBecause this is such a big book, there's going to be a difference in page quality. The pages are actually like a magazine, glossy and nice to touch. The 1st manga volume of Death Note I have has a rough and dry paper feel. These, however, allow your fingers to glide smoothly. I actually enjoy this paper a lot more, and the pages are thinner.3. Box coverThe book comes with a box cover to hold your book. It is a great display piece, but also, it gives protection to this big book. The art on the front and the back is beautiful and aesthetically pleasing. The grey, black, white, and red color scheme is fantastic.4. Includes Near epilogueTowards the end of the book, you are able to read a Near epilogue which takes place 3 years after the story. This has been translated from Japanese to English. From my understanding, this the first time it was officially published in English.5. Collector's pieceCome on, this is so cool to have. Sure, it's a bit on the top, but you got to admit, it's real conversation piece.CONS:1. Uncomfortable reading positionsYou definitely have to be creative when reading this. I find the best way to read this is to read it at a desk. I wouldn't advise to read it laying down... because if it falls.... well....2. Being carefulThe spine is definitely strong, but if you're a perfectionist, you should do all you can to prevent creasing the spine. So far, my spine is in tip top shape, but it's because I don't crack force it beyond its capacity nor force it to be wide open. This is how I've always preferred to hold books anyways, but this can be a con for some.3. It can get heavyIf you're holding this for a while, your arms might hurt. Again, it really depends on how you hold it.Overall, I am extremely happy with this purchase! The cons itself do not bother me nor have I ran into them. These are just what I have considered for those who might want to purchase the book. This is a fun gift for a friend, for a first time reader, or for a longtime fan who just love the story. All in all, I am content with the packaging, feel, and book. The story is truly a masterpiece!

Be careful when buying this, if I were to purchase again I'd try to ask to get this bubble wrapped because it was packaged in a box with nothing to stop it from flopping around in there but thankfully I was one of the few people that didn't get it with the corners bent in so I'm happy about that. Since there's about 2400 pages, they pages have to be very thin so ne carefully when turning pages but its not cheap paper like most standard manga have so it wont tear as easily as regular paper that's that thin, but its still extremely thin so be careful. The spine is really strong for a paper back thats this thick. It doesn't seem like its going to rip when opening it up all the way but I just stardted reading it so i cant be for certain.

As a complete newcomer to Death Note, i've wanted to jump into the series for so long and this was perfect.My only complaint is that the massive size of the book makes it extremely prone to damage, so be ready for at least some damage if you want to order it online. I received mine with tearing and dents on the outer box, and minor dents on the book spine. (See Pictures) So collectors beware.Other than that, there is a ridiculous amount of value for what you are getting here. I bought this All in One edition for 24 bucks, and the cheapest alternative box set costs 68 Dollars as of this review. (The Black Edition will cost roughly the same) What surprised me was how functional the actual book was.Yes, this is a MASSIVE book, but its surprisingly manageable. I recommend reading this flat on a table surface, or on your bed while resting it on the spine to prevent hand sprain or damage to the spine. (See pictures)All in all, i'm really enjoying Death Note, and the size of the book hasn't detracted from what has been an incredibly engrossing, and comfortable read. Highly recommended for newcomers who want to jump into the series, since you get the entire story for less than half the price.

Oh boy, is this manga crazy... in size. They had to fit over 12 vols in one HUGE omnibus, for a great value!The manga is very oddly shaped, So don't expect to be able to lug this around. The cover is made of nice card stock, but the pages are quiet thin. They're not super thick quality like the large Attack on titan omnibus, nor are they the same paper quality you would find in the original, or any like manga. They're also not as terrible as the Full Metal Alchemist Omnibus, but I'd say a SLIGHT step higher. The pages are fairly glossy, so it give it a SLIGHTLY better thickness to the paper. The black ink is not as dark as you can imagine, but really, to fit the entire series in one for this price, they had to make the cuts somehow.The spine seems to really hold together the manga -- I even took one for the team and opened the manga up flat to test. It didn't crease the spine -- but you can REALLY see that it really wants to.Its good value if you can get it for cheap!

I absolutely love Death Note, both the anime and manga. I already own the original manga box set but this edition was way too aesthetically pleasing (and cheap) not to get. I don't know that I'll actually ever reread the manga using this edition because of the size, however, I did read and thoroughly enjoy the bonus epilogue chapter. Overall I'm very pleased to add this to my collection. I'd also highly recommend reading/purchasing the spin-off novels, "Death Note Another Note: The Los Angeles BB Murder Cases" and "L: Change the WorLd."

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Product details

Paperback: 302 pages

Publisher: CreateSpace Independent Publishing Platform; 1 edition (June 19, 2015)

Language: English

ISBN-10: 1514633132

ISBN-13: 978-1514633137

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#7,150,061 in Books (See Top 100 in Books)

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About the Author

Founded in 1947, Hal Leonard LLC has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

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Product details

Paperback: 408 pages

Publisher: Hal Leonard; 1 edition (March 1, 2014)

Language: English

ISBN-10: 9781458423306

ISBN-13: 978-1458423306

ASIN: 1458423301

Product Dimensions:

9 x 1 x 12 inches

Shipping Weight: 2.9 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

84 customer reviews

Amazon Best Sellers Rank:

#40,866 in Books (See Top 100 in Books)

This is by far my favorite fingerpicking book. So many good songs here, some harder than my level but that's ok. The book lists the chords above if you like to follow that as well as TAB for all the songs. They are in depth enough to sound really good but still easy to pick out. This is my go to book when I just want to relax and sound good. It also lays open nicely

maybe it is a nice book, but it is completely unreadable on my Kindle Paperwhite, or on the Kindle app on my phone or from my laptop. Can't print it either, so unfortunately it is utterly worthless as an ebook.

This is one of the best written song book for solo guitar. The music repertoire extends from the late 60s to 2000's. It arrangements notations and chords sounds like the recordings. This is an excellent book for intermediate to advance players. As a professional player I love the music because it is arranged in a nice simple form and give me flexibility to embellish and improvise the music. Thank you for your wonderful transcriptions; it's not an easy task to arrange music for guitar as an solo instrument.

I've taken some lessons, but I'd still consider myself a beginner, and this book is a bit of a challenge. However, the song collection is wonderful, and the finger-picking versions of the song have nice harmonies to them. I like that the chords are listed above as well. Might not recommend to an early beginner, but great for anyone somewhat comfortable with the instrument!

 I've been self-teaching my guitar for a few years now. I initially started off with Fingerpicking songbooks from Hal Leonard. This thick volume is very similar to those books. If you are a beginner to fingerstyle guitar, this volume may be a useful practice tool. I was a big fan of these types of songbooks when I was new to guitar and especially fingerstyle solo guitar.However, now that I'm a bit more skilled, the series is not challenging enough for me. The arrangements are mostly single notes arpeggios with an occasional thumb-picked baseline here and there. Arrangements are mostly limited to the first five frets with a focus on the first three frets. The songs are recognizable but very simplistic. For a beginner, it is great to be able to play more contemporary tunes. However, as you progress these arrangements quickly grow repetitive and tiresome. If you're a beginner interested in fingerpicking guitar and don't already have some of the Hal Leonard Fingerpicking song books (i.e Fingerpicking Acoustic Rock - Guitar Solo,Fingerpicking Pop: 15 Songs Arranged for Solo Guitar in Standard Notation & Tab), this volume has quite a selection of songs to keep you entertained for a while. I had many of the Hal Leanoard Fingerpicking books and a lot of the songs in that series are replicated in this volume. (You can check the Hal Leonard website for the complete songlist)If you've feel you moved beyond simple fingerstyle patterns and have your sights at more complicated fingerstyle arrangements like Sungha Jung, Chet Atkins or Tommy Emmanuel OR you are looking for companion fingerstyle guitar I'd probably skip this.

Songs are melody and harmony in treble clef plus tab notation, so you get three lines of song per page. So then each song is 6-8 pages with a binding that doesn’t lay flat. To use this book, you’d really need to have someone hold it for you and turn pages if you actually wanted to play a song through. Returning it.

100 of the Most beautiful songs in C.... Get ready to play a bunch of songs in either C, G, or D. (or their relative minors I suppose).

Great book for the beginninng fingerstyle player!

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